Sculpture collection

Reliefs inserted into the courtyard’s walls or, as fixed furnishings, into the walls of the home’s rooms make up the most important nucleus of the sculpture collection. Notwithstanding the small number of works, pieces that are problematical, both from the attribution and chronological points-of-view, are not missing. In addition, whether the brothers understood that some of the pieces were from the 19th, and not the 15th and 16th centuries, is still to be understood, for example, in the case of the Flagellation by Alceo Dossena located in the study.

Madonna with Christ Child and Donor, mid 14th century

Madonna with Christ Child and Donor, mid 14th century, Workshop of Bonino da Campione, marble, 66 cm high, 68 cm wide, inv. 1043, Via Gesù courtyard

Judith with the Head of Holofernes, beginning of the 16th century

Judith with the Head of Holofernes, beginning of the 16th century, Lombard sculptor (circle of Tommaso Rodari), marble, 167 cm high, 77 cm wide, inv. 971, Room of the Fresco

Adoration of the shepherds, beginning of the 16th century,

Adoration of the shepherds, beginning of the 16th century, Workshop of De Donati (?), polychrome wood, 49 x 41 cm, inv. 1038, Bevilacqua Room

David, beginning of the 16th century

David, beginning of the 16th century, Lombard sculptor (circle of Tommaso Rodari), marble, 167 cm high, 77 cm wide, inv. 972, Room of the Fresco

Madonna con il Bambino, prima metà del XIV secolo

Madonna con il Bambino, prima metà del XIV secolo, Scultore lombardo, terracotta, altezza 200 cm, larghezza 51 cm, inv. 1042, Cortile su via Santo Spirito